Subjects City Life

Fairmount Water Works: The Surprising History of an American Landmark

Rebirth of the Rivers: Water History Video 3

History of Belfield (1934)

Delaware River Harbor Police Report, 1884

Smith’s and Windmill Islands

Visions of the Schuylkill, 1884 and Now

Colored print showin all the booths, restaurants and other amenities of the fair

Ground Plan, Great Central Sanitary Fair, Philadelphia

Northeast Philadelphia history, one page at a time: The Holmesburg Library Scrapbook Collection

Fairmount Gardens, with the Schuylkill Bridge. This 1839 engraving, published in London, shows a view of the South Garden from the walkways that brought visitors up the cliffside to the overlooks at the height of the reservoirs. The fountain used the pressure of the reservoirs and was a a delightful refreshment in hot weather, and a wonder at all times. One anachronistic element of this engraving is the Upper Ferry Bridge, which burned the year before the print was published. Harding’s Hotel, a popular resort, is at the western end of the bridge.

Fairmount Gardens with the Schuylkill Bridge, 1839

“Fairmount Waterworks. From the forebay.” (From nature & on stone G. Lehman; Published by C.G. Childs & G. Lehman, 1833. Free Library of Philadelphia, Print & Picture Collection)

Fairmount Water Works from the forebay, 1833

This 1838 view of the Fairmount Water Works with the Schuylkill River in the distance, by John T. Bowen, “captures the pleasures of Fairmount in its heyday,” writes historian Jane Mork Gibson. “The neat beauty of the works set into a gentle landscape, steep paths and steps that offered an exhilirating contrast to the general flatness of Philadelphia, as well as the excitement of boat races on the river and refreshments offered in the former Engine House, all prompted the admiring comments of visitors.”

Fairmount Water Works and the Schuylkill River, 1838

Fourth of July in Centre Square, John Lewis Krimmel, ca. 1812. The wooden statue in the fountain, “Allegory of the Schuylkill River (Water Nymph and Bittern)”, was carved in 1809 by Philadelphia sculptor William Rush.

Fourth of July, Centre Square, ca. 1812